@1kittynoir1 replied to your post:
What did it get used for? 👀
It's not done yet, but it's the facing, collar, and cuffs for the patchwork dressing gown I'm working on!
It was less than half a metre of silk/rayon velvet that I dyed in college because the sample we did of that colour was so nice I wanted a bigger piece. (It was PRO MX fibre reactive dye in the colour Marine, and I don't have my dye sample book with me right now but I think it was at 4%. It shows up more green on some fibres and more blue on others, but is always gorgeous.)
I had no specific plans for it at the time, but eventually the perfect project came along, and there was just enough!
I've been working on this thing (intermittently, in short busts) for a few years now, and am finally done the patchwork and on to the construction. I've posted occasional updates on @vincentbriggs and will post photos there when I'm done.
I've also been filming the whole process, so I'll have a video about it up on my youtube channel eventually, but that'll be a while after it's finished because I have so so so many clips and it's going to take a horrifyingly large amount of editing.
It's based on this c. 1835 original, which is a good 50-100 years later than what I usually sew, but I like it and I wanted one.
If anyone's wondering how many triangles mine has, it's 6,957.
Since I've got the time consuming part out of the way I'm hoping I can get the construction done before winter officially ends.
Edit: Why does everyone think I had a bad time working on the triangles?? I loved working on them, it was so satisfying to put lots of little bits of colour together. The reason I worked on it intermittently is because I could not put it down once I got working on it, and would work on it all day for several days straight until I was very tired and sore, and then I had to put it away to stop myself, and then I'd forget about it for a few months.
Also, they're machine sewn. Most of the actual garment construction will be by hand, but the patchwork is all by machine.
